John Wilkes Booth bobbleheads removed from Gettysburg shop

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I read an article in the Huffington Post this morning that talked about how a museum shop in Gettysburg was selling a John Wilkes Booth bobblehead but suddenly removed the product from their shelves. No specific reason was given for the removal of the bobblehead but one can only imaging the reason. The Booth bobblehead was displayed in a box designed to look like Ford’s Theater and Booth himself is holding a derringer in his hand.

Here’s my beef with the situation. Every other major Civil War figure, including my former husband, Joshua Lawrence Chamberlain, has been made into a lucrative junk toy industry in Gettysburg and elsewhere (but it’s especially bad in Gettysburg). You can buy bobbleheads of Abe Lincoln, Robert E. Lee, Ulysses S Grant, Joshua L. Chamberlain, etc. There is no difference in the level of disrespect no matter who the bobblehead is meant to portray. The Civil War in most of the major tourist locations is a booming commercialized machine. I once counted and Joshua L. Chamberlain’s face is used to sell 37 different kinds of junk, from dolls, to clocks, to tote bags, to beer, to cigars, to Legos.

So basically if people are going to moan about a John Wilkes Booth bobblehead, then every other piece of junk sold to trivialize and disrespect that period of American history needs to be pulled from the shelves too. If every other Civil War figure is a bobblehead, then John Wilkes Booth should be too. He was a major figure in the outcome of the war no matter his personal views, mental illnesses, alcoholism, etc. Commercialized junk is universal. There was a doll sold about twenty years ago in Harper’s Ferry that depicted John Brown hanging from the gallows. Really, and people might be offended by a simple bobblehhead?

We cannot pick and choose what parts of the war should be made into commercialized junk and which should not. John Wilkes Booth was not the only racist with extremist views by far. Lincoln himself was quite the racist. All of the men used to sell products today were killers. They all killed men. Many of them were slave owners, alcoholics, and so forth. I am not defending what John Wilkes Booth did by any means, but I am saying that if we’re going to go down the road of commercializing a terrible period of history, then all of the key players should be included. It’s not up to the 21st century American to rewrite or whitewash history. Either make all of it available to the people or remove all of it from the store shelves. Picking and choosing who stays and who goes is giving the 21st century American the power to erase parts of our history because those parts might be politically incorrect now or uncomfortable to consider.

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More fabulous historical clothing

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I’ve collected some more historical clothing that I find interesting and fabulous for various reasons. These are not just limited to the Civil War period although many of my favorite pieces come from that time. I’m also beginning to appreciate early twentieth century fashion thanks to watching Downton Abbey so much. I’ll post the pictures in chronological order.

Polonaise gown, painted silk from the V&A Museum, 1780s.

 

Robe à l’anglaise, 1780-85 France, Les Arts Décoratifs

Early 1790's open robe from LACMA

Pelisse 1820, British, Made of silk.

Mourning Dress 1861

Evening Dress, House of Worth, 1862, French, Made of silk

Dress 1865, American, Made of silk taffeta

1868 green silk dress with the polonaise revival bustled skirt

 

Dress 1868, British, Made of silk, velvet, and lace

 

Silk and velvet bustle dress with fringe, c. 1880. Claret ottoman with self piping, lace and crenelated trim at neck, bib front and cuff, floral cut velvet bodice and skirt front panel, draped skirt trimmed in chenille fringe and pointed pleats, crocheted buttons, polished cotton lining. B-30, W-22, skirt front L-37, back L-52.

 

1881 Dress | American | wool, linen, silk, mother-of-pearl

 

Silk evening dress, circa 1881

 

Ballgown, ca. 1900.

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Final book cover of From the Darkness Risen Book II

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As you saw in an earlier blog, I was testing my book cover design on you all for my next novel, From the Darkness Risen Book II. I finished both the front cover and back cover tonight, so I wanted to share them with all of you. These are the final designs. The only thing that might change before publication is possibly the wording of the teaser on the back cover but I’m pretty happy with it for the moment. The spacing on the back cover might also look a little wonky right now too but that’s because I had to leave room at the bottom for the bar code added by the publisher. Here are the images and then a transcript of the back cover text below that. You can see bigger versions of the images by clicking on them as well. Let me know how you like everything.

Back cover text:

Escaping a Union military prison was the easy part for Robert and Isabelle Cavanaugh.

The continuation of From the Darkness Risen finds Robert a withdrawn and troubled man raising his children in the pressure of his mother-in-law’s Charleston home. The need for purpose and fulfilling his duty leads him to a recruiting position in the Confederate Army while his wife, Isabelle, endures a difficult pregnancy in a city strangled by the Union blockade. She grapples with the cracks exposed in her marriage, uncertain if her family will survive further Yankee invasion. The wedge between Isabelle and Robert grows when tragedy strikes their young family, followed by the unexpected arrival of her soldier brother, who brings the blackness of the war home with him. The repeated absences of her husband amid a city under siege and a family falling apart force her to rely on her faith to carry her through the ravages of heartbreak, secrets, and a country in ruins. When the dust settles, she must find a way to allow her husband back into her heart so altered and hardened by the independence that she never desired.

Meanwhile, a world away in divided Missouri, Eva Grimm is bored with her position as the new wife of a St. Louis University professor, Thaddeus Grimm. The monotony of a housewife’s simple existence without servants or the gayety of her former life as a Charleston socialite leaves Eva despondent until she receives a mysterious invitation to a Confederate safe house. There she discovers a ring of Confederate operatives seeking those to carry out dangerous assignments in mail smuggling, gathering intelligence, and planting bombs on steamers carrying Yankee supplies up and down the Mississippi River. Excitement fills Eva once again as she becomes more and more drawn into proving herself in the underground war effort, despite Thaddeus’ warning that he would leave her if she ever lied to him again. Her double life becomes a ticking time bomb even more with a Yankee officer, Benjamin Geary, resuming his obsessive pursuit of her. The fear of what Thaddeus will do if he discovers the truth pushes Eva to look beyond her own selfish desires but it may not be enough to stop her from fighting for her country.

About the Author

Born in February 1982 to Lori and Curt Jones in Denver, Colorado, Jessica Jewett showed an early talent for all things creative. Despite her rare disability, Arthrogryposis, Jessica taught herself to write with her mouth before she entered kindergarten. Her first poem was completed in 1988 at the age of six, and she began her first illustrated short story in 1990, followed by the start of her first novel in 1994. She has worked in journalism, freelance writing and constantly evolves as a novelist. Her artwork has been exhibited in a gallery showing throughout the Southeast. She has numerous hobbies in artistic, paranormal and historical fields, which are often the subject of her writing. She lives in Atlanta, Georgia.

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